There was this musician in the 1960s, I told them. He was huge, everywhere - when commercial radio played intelligent music. Sergio Mendes, I said. His band, which was more of a combo or even an orchestra, I went on, was called Brasil ‘66. Nothing they recorded then sounds dated today by even a second. I was chopping parsley at the time. Heavy in the garden right now, on the poised starting gun of spring, is that herb along with its three song compatriots; hence the conversation, driven by random semi-conscious thoughts rather than by any ordered progression of script-like dialogue. It’s a lesson I’ve been teaching ad nauseam to my screenwriter-aspiring older (at least from this marriage) child: write dialogue like it’s not a script. I bluetoothed Scarborough Fair and kept chopping. The searing strings chased the ethereal voices around the kitchen, bouncing off the walls. The 1960s were so long ago that when someone asked if Sergio Mendes was still alive I said he’d have to be about
Recipes and ruminations from a small house in a big city.