In 1977 I placed a round yellow and black sticker on the back window of my first car. It showed an illustration of a ferret, under which were the words: ‘Lean and nosy like a ferret’. The newspaper it advertised was Nation Review, an ‘alternative’ (whatever that means) weekly. The sticker was illustrated by Michael Leunig, who died this week. Leunig was a cartoonist for Nation Review and later moved to The Age, under legendary editor Graham Perkin, when the newspaper was judged one of the ten best in the world. Leunig’s cartoons were whimsical but savage; gentle but scathing; soothing but undermining: everything, in fact, a woke society could many years later not bear. Hypocrisy hates a mirror. Leunig’s mirror was a fine point pen, a genius line and nothing else. The Age sacked him, obviously preferring him to stick to the annual calendars, anthologies, mugs and other middle-class decor which Leunig’s gentle illustrations so admirably suited but which may have become a millstone a...
That mountain is actually a series of small ones, an observation I might already have made in the post about Miss Marple’s Tearooms; or the one about the transcendent slope of land in that cool, shady, towering canopied garden of Eden that bears the kindergartenesque name of ‘Dandenong Ranges’. Garden of Eden? Indeed, during the Hurdy Gurdy days of the late 1960s and early ’70s, the steep, winding roads to the villages and hamlets of the Dandenongs echoed not just to the bellbird’s transcription and the kookaburra’s machine-gun burst, but also to the staccato approach of the tangerine Volkswagen Kombis that clattered their way up the impossible slopes; transporting their orange-tinged loads of pumpkins and kaftans and hippies to the share-houses and rental bungalows - or their Camberwell-based parents’ holiday houses - for weekends or entire summer holidays of mountain-air-flavoured curried lentil feasts with a backdrop of progressive rock played on woodgrain Kenwood stereog...