Dead quiet on a heat-heavy afternoon, around two o'clock, except for the almost imperceptible shush of movement from the trees; an almost-audible shimmer of movement, mirrors of light, from the full-leafed shrubs; and some faraway grind of a bus on a hill. Far, far away. That was a week, three days, two days, before Christmas. I had finished school days before. The world was mine; the world being the garden, the street, the hill to the river, in another direction, another hill to a creek that wound, anyway, down to the same river. Another direction, around two corners to a small strip of shops that seemed asleep under the sun's oppression: side street; milk bar; haberdashery; newsagent; chemist; butcher; greengrocer; bakery; Four Square grocery; fish shop; another side street. The haberdashery was also an agent for the bank, a curiosity I found perfectly normal; the grey-haired cardiganed middle-aged woman who ran it seemed perfectly suited to taking one's money, putting i...
Nine hundred kilometres south, early in the evening, after a warm, overcast Sunday I had spent at Lakeside, I was on a train heading to my home in the northern suburbs. During the afternoon, in between sporting events, I had taken a book to the sun-drenched lawn high up behind the bleachers (plastic bucket seats these days, powerfully sprung so that they won’t even support your bag of running gear without flipping up and flushing it onto the dusty concrete below). The novel was Philip Roth’s Nemesis (Jonathan Cape, 2010). The grandfather, Sam Cantor, had come alone to America in the 1880s as an immigrant child from a Jewish village in Polish Galicia. His fearlessness had been learned in the Newark streets, where his nose had been broken more than once in fights with anti-Semitic gangs. The violent aggression against Jews that was commonplace in the city during his slum boyhood did much to form his view of life and his grandson’s view in turn. He encouraged the grandson to stand up...