We haven’t had song of the month for a while, so here are two. * His name was Jones and he was my personal favourite British pop singer of the 1960s. No, not Tom. He was my second favourite. (Have you heard Without Love at full volume lately?) The other Jones, Paul, had an amazing range and sang - both solo and for Manfred Mann - some of the best songs ever written. One was Come Tomorrow , a soul masterpiece originally recorded by Marie Knight. If the song of a song bird could replace my wrong words Then my dear it’s the song I would borrow And tonight you would hear the saddest song of the year And you’d be mine once again come tomorrow The instrumentation is initially spare, rising to an amazing crescendo built around the keyboard - watch the cut-aways on the YouTube track. Jones’ astoundingly tortured vocals are a match for the piano, revealing the futility of the song’s premise. A stunning performance. Come Tomorrow peaked at 24 on the Melbourne charts in 1965,...
Recipes and ruminations from a small house in a big city.