The fill-in announcer on RRR just now (The Cave, formerly the Skullcave) was discussing his relationship with disco, which was fractious. Apart from some early tentative crossover hits, disco eventually veered far from its soul-funk roots and descended into a musical hellhole from which it never recovered, leading to desperate attempts at new musical directions, such as the robotic new romantics using drum machines and synthesisers instead of 'instruments'. One year in the mid-1970s disco collided with Christmas, resulting in a disco-fied Joy To the World strung out into a zombie-like metronomic medley with everything from Silent Night to White Christmas. It was the era of prawn cocktails, avocado vinaigrette, vol au vents and Coolabah moselle at the table; with guests wearing flared suits and six-inch ties - so the whole shooting match had a kind of balanced bad taste flavour about it. Disco passed but some of the world’s worst music continues to be reserved espe...
Recipes and ruminations from a small house in a big city.